“The magic of art collaboration lies in its ability to unite people – the power of collaboration to create long lasting friendship. In working together, we build connections, creating something far more meaningful than we could alone. This shared creative process fosters mutual inspiration and leads to creative growth”
Social Creativity: How Collaboration Fuels Artistic Growth
The power of collaboration friendship in art is truly unique. In my early days of painting, which I initially pursued as a hobby, art collaboration was a natural part of the experience. We weren’t focused on the outcome but on the shared creative experience itself, sharing ideas, and enjoying the time spent together.
For me, painting has always had a social aspect; it’s about spending time with friends and artists, bringing enjoyment to the collaborative art process of creation. I’ve found that artistic collaboration is much more enjoyable when shared with others.
The island provided the perfect setting for this kind of social creativity and art collaboration. With the beach nearby, sunny days, and the distance from civilization, we had all the time in the world to paint, talk, and enjoy the shared creative process.
The Art of Collaboration
Creating Lasting Friendships
When I first arrived on the island Karlovacka Ada, I had no formal atelier. I began painting casually at the Beach Bar, a place where there were few people during the day. People would join me, some out of curiosity, others just to chat. I encouraged everyone to try their hand at painting, and over time, a small group of friends and new acquaintances started coming back regularly for these collaborative art sessions. I had brought more canvases and supplies than I needed, and soon enough, people were painting alongside me, creating a vibrant and socially engaging atmosphere.
One of the most impactful art collaborations that began was with Marko Ćirić Ćira. Marko arrived on the island about a month after I had settled in. Though there was a significant age difference, it didn’t matter. He had contagious energy and was eager to dive into any creative project.
Initially, he was more focused on building sculptures—totems from driftwood. But it wasn’t long before Marko joined me in painting as well, demonstrating the versatility of our collaborative artistic endeavors.
Marko was the most productive among those who participated in the collaborative art process. By the end of August, Marko suggested organizing a small exhibition. We decided to focus on themes that reflected our environment: the Danube, the view of the nearby island opposite Karlovacka Ada, and the birds we were surrounded by every day. The sunsets, fog, and storms we experienced became the subjects of our collaborative paintings.
Our art collaboration didn’t end with that summer. The following year, we rented a studio in Belgrade to work together on several pieces in the Civilón series. Marko’s enthusiasm helped me stay motivated, and we encouraged each other to keep pushing forward in our shared creative journey.
Celebrating Art Collaboration
The Summer Exhibition
At the end of the summer on the island, Marko and I decided to hold a small exhibition showcasing our collaborative artworks, along with pieces done by other people. We displayed our artworks around the space near the atelier, arranging the paintings in an open, informal way. We invited a few friends, and visitors to the island came to see the paintings as well. We opened bottles of champagne and marked the occasion with a sense of accomplishment.
While the exhibition was small and casual, it taught me a lot about what it takes to organize a collaborative art event. I realized how much thought and effort goes into choosing the right pieces, setting up the space, and ensuring everything flows smoothly. This experience also highlighted the social aspect of art collaboration—how it brings people together.
The Uniqueness
of Each Art Collaboration
Another meaningful art collaboration has been with potter and sculptor Peter Ozsvar. While my collaboration with Marko was ongoing during the creation of the Civilon series, my work with Peter came later. Peter is an expert potter and sculptor, and I had known him since my student days when he taught me the basics of ceramics. Together, we’re creating ceramic pieces during the winter months in his studio in Kanjiza, located in the northern part of the country.
Unlike the spontaneous nature of my collaboration with Marko, collaborating with Peter is more structured. It’s also a valuable learning experience, as Peter shares his deep knowledge of ceramics and techniques. From time to time, we spend a few days working intensely, then take breaks for reflection before picking up again.
Unlike the collaborative energy on the island, our work with Peter is more focused and deliberate. We’re looking forward to exploring new artistic avenues with the creation of several bull sculptures and pottery pieces in the coming months as part of the Civilon series.
Together We Grow
Without art collaboration, series of paintings “Civilon – The Bull Who Loved to Eat Flowers” series would not be what it is today. Working with others has brought new ideas and perspectives to the table. I am proud of how the series has developed, and I know that these art collaborations were an essential part of the creative journey.
As I look forward to future projects, I realize the value of sharing the creative process with others. Art collaboration has been about expanding the creative experience, bringing others into the process, and enjoying the shared moments of creation. Marko’s youthful enthusiasm and fresh perspective, along with Peter’s deep expertise in ceramics, have both added dimensions to my work that I may not have explored on my own. While my style and approach to painting have remained largely the same, collaborating with others has opened the door to new ideas and methods that I continue to integrate into my artistic practice.

















