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SILENCE OF THE BULLS

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SILENCE OF THE BULLS

Chill of a Slaughterhouse Floor

“Silence of the Bulls” is a haunting and evocative painting that depicts the tragic aftermath of a bullfighting mishap. Two lifeless bull carcasses are shown being solemnly dragged, leaving vivid crimson blood trails in their wake against a neutral, cold backdrop that evokes the unfeeling chill of a slaughterhouse floor.

The composition powerfully contrasts the warmth and vitality of the bulls’ lives now extinguished with the stark, unyielding environment surrounding them. The bulls’ glazed eyes and limp, mangled limbs convey a profound sense of mortality – a reminder that, as Hemingway observed, “all stories, if continued far enough, end in death.”

This work’s title and inspiration text add layers of poignancy and irony to the scene. The painting references a bull Civilón who was slated to fight in a bullfighting event in the city of Valencia along with two other bulls from the same ranch. However, just days before the event, Civilón was injured in an incident with one of the other bulls. While this injury ultimately saved Civilón’s human counterpart, the painter’s focus is on the tragic fate of the two bulls who did go on to the bullfight, only to be killed.

Civilón, spared from this grim fate, instead remained on the ranch where the staff cared for his wounds. During this time, the painting suggests, Civilón formed a special bond with the daughter of the ranch’s owner, even developing a fondness for eating flowers.

The painting’s muted color palette of grays, blacks, and deep reds amplifies the somber, almost funereal mood. Thick, expressive brushstrokes lend a sense of raw, visceral energy to the scene, as if the very act of dragging the carcasses is being enacted before our eyes.

Ultimately, “Silence of the Bulls” invites the viewer to contemplate the fragility of life, the finality of death, and the complex, often bittersweet interplay between triumph and tragedy. It is a powerful meditation on mortality that lingers in the mind long after the initial viewing.

STORY

BEHIND SERIES OF PAINTINGS

CIVILÓN BLOG

Ferdinand the Bull, alongside the Little Prince and Jonathan Livingston Seagull, is among the select childhood characters that have left a lasting impression on me. Looking back at my memories of watching the cartoon as a child, I was always skeptical about his idyllic conclusion amid the blooming blossoms.

I couldn’t shake off the feeling that something was missing to the story. So when I came across “the story behind the story”, I was triggered and couldn’t stop thinking about it. As I will learn, Civilón’s life reads more like a Hemingway’s story than Leaf’s idyllic and pacifistic tale. 

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